As society gradually emerges into a post-pandemic world, the significance of third places and their absence within communities has become increasingly evident. These spaces, separate from the first place of home and the second place of work, play a vital role in providing sociability and a sense of security for individuals seeking respite from their daily routines. The demand for spaces that cater to creative professionals or foster simple hobbies has risen, as they have been proven to have positive impacts on people's overall well-being. Moving forward, how can we adapt cities and bring back the valued third places that may have closed during the pandemic? Can this be achieved through the inclusion of accessible creative spaces, such as rehearsal studios or music rooms? Or is there a way to bridge the gap between creatives and the surrounding community through residency programs that provide safe environments to foster collaboration and mutual growth? Conceptualizing these spaces and implementing them on various scales throughout the city, showcasing the diversity from towering skyscrapers to initiate rowhomes, can help reflect on the distinct characteristics and needs of different neighborhoods within the urban landscape. By embracing these approaches, cities can revitalize third places, promote community connections, and nurture a thriving creative ecosystem that benefits individuals and the city as a whole.

Empathy is the action of understanding and being aware of others' experiences. The word empathy directly translates from German as "in feeling." This definition of empathy is the process of projecting into another person to understand them fully. This is the starting point for empathetic design. Empathetic design is a design strategy that aims to understand the lives and experiences of users through immersion and then apply that understanding of the user throughout the design process.

This thesis employs empathetic design practices and strategies for well-being by focusing on spaces that enhance feelings of connection, comfort, and belonging. The Nest is a community center for mothers that utilizes these concepts. It is a nurturing environment for mothers that aims to bring mothers together in a healing environment that gives them space to focus on their well-being.

Throughout our lifetime we encounter and participate in a variety of different communities. As children, we often formed our relationships through where we lived and went to school. Young adults, in their choices about college and early career, often for the first time are faced with questions about how to find meaningful communities. These choices are challenging, especially if they involve moving to a new city, working remotely, or otherwise stepping out of familiar situations. I am interested in bridging the connection to community between childhood and adulthood. Roger Hart said, “When children have the freedom in space and time to play with one another, they find ways to pass on their culture to peers through games, song, and dance, but also to transform it…Play with peers is extremely important to social, moral and emotional development. In free play, children learn to understand others and to develop skills of cooperation, sharing and caring.” This suggests that play is an important component in building community even as we grow older. My thesis aims to reimagine the meaning of play in a community that values hybrid work, through the exploration and implementation of third places inspired by the culture in Philadelphia, for Generation Z within a vertical community. The spaces strive to support the new and unique lifestyle while considering how it might be facilitated to aid young people in learning the interactions that shape community.

Our physical environment affects our ability to function on a cognitive level. From sensory stimulation to light levels to a space’s ability to support a sense of community, our physical environment can either support our cognitive wellness or cause it to deteriorate. As we continue to scientifically advance as a species, or face more challenges of severe climate change, the rate at which we explore and encounter these extreme environments will continue to increase. This increase highlights the importance of understanding how to build and design environments that support people at the highest possible level. Whether it be space, the ocean floor, severely changed climates or, in the case of my thesis, the harshest land climate on our planet, the Antarctic, I believe designers have a unique opportunity to create spaces that allow people to not just simply survive, but to thrive. My thesis will explore how design can utilize research to create physical habitations that support cognitive function in one of the most extreme environments on our planet, Antarctica.

Modern hospice care design is currently made up of four building typologies, including a wing within a hospital, a building connected to a hospital, an independent facility, and at home care. These current typology designs are deficient in the care of both their patients and their patients’ families and caregivers. There is a current culture of silence around death that can be read in these typologies and instead of making people feel at home, they produce undue stress, anxiety, and isolation. My thesis project challenges the current hospice care building environments by using architecture and design to improve end of life care experiences. My design will seek to enable and allow patients to live their life to the fullest through the engagement of the senses, creating a sense of home and community, and creating spaces that metaphorically and physically assist and guide patients and their families through this final journey.

In today’s fast-paced world, stress has become a major concern, especially for people living in urban areas. The hectic pace of life, the constant stimulation and the limited access to nature can all contribute to stress and its negative effects on health and well-being. While urban green spaces have been recognized as potential solutions, access to these much-needed environments is limited due to scarcity of free space. Furthermore, existing green spaces often fall short of providing the needed restoration as they primarily cater to visual stimulation, neglecting other senses.

Building on this need for better restorative environments in cities, my thesis aims to design a space that renders a slow and sensory experience through a gradual progression into the building providing an escape from the fast-paced urban environment. The goal of my thesis is to create a restorative built environment, incorporating biophilic design principles with emphasis on multisensory and contemplative design, that fosters stress relief and supports wellbeing by inviting its occupants to relax, rejuvenate, and unwind.

While the benefits of access to nature for humans are well studied, our built environment instead tends to exploit and poison natural ecosystems. Regenerative design offers a solution by incorporating whole-systems thinking to restore, renew, and revitalize the resources and processes of our environment. This thesis utilizes regenerative design to create an Environmental Education Center that is beneficial to all stakeholders, especially the natural ecosystems in which a building lives.

This thesis explores the benefits of alternative off-grid village design, the value of a community's closer relationship with nature, and the positive effects this can have on the environment. The proposed village is one of sustainable living and a permaculture lifestyle, including design and planning that addresses architectural engineering, food production, and structural organization modeled after natural ecosystems. A community aware and blended with the natural environment around it.

This thesis explores the collision of two universal cultural phenomena, Film and Architecture, with a focus on phenomenological experience. The primary subject of this narrative is “loss.” Through transposing cinematic techniques into the interiors, these spaces heighten and dramatize user experience both physically and emotionally, suggesting a novel approach to memorial design. Pier of Grief is a safe haven for people who are grieving and a symbol of resilience for individuals who have overcome their testing times. With the inundation of violence, insensitivity, and hostility it is crucial more now than ever to encourage people to get in touch with their feelings and foster connections through shared vulnerabilities, and more importantly to take a pause and reflect upon what has gone by and what we have left. Like a cathartic film, this memorial creates a world filled by our own feelings allowing a highly personal and fulfilling experience.

I am interested in preserving architectural heritage and repurposing old heritage sites. Buildings that have deep and valuable cultural meaning can be modified to create spaces that people can experience and live while understanding cultural stories and events. It is important to not only preserve tangible cultural heritage but to convey a sense of value embodied in the architectural heritage.

Urbanization requires adaptation to population density and embrace of associated housing typologies, including vertical living that is cost-efficient, sustainable, resilient, and inclusive.

Housing has been transformed into an industry, rather than a right, which has made it increasingly difficult for marginalized communities to obtain and sustain viable housing. Housing insecurity is an ongoing crisis that intersects with the built environment by presenting a unique list of needs that interiors programming and design could better address through trauma-informed methods.

Cultural and Historically significant sites not only allow for the preservation of history, but a connection of experiences for past and future generations. These historical sites are crucial to the makeup and individuality of each campus as they merge existing conditions with modern elements. Given the historical significance of HBCU campuses, it is important to remember their legacies, yet design them to be efficient for the present needs of the 21st century student. With the practice of Adaptive Reuse, designers will be able to preserve the legacies of these historical buildings yet allow for modern design advancements and renewed use within the interior.

Isolation and disconnect in cities and neighborhoods has been shown to decrease community engagement and cause a rippling effect that contributes to communities' economic instability, social issues, and environmental challenges. How can public community spaces bring people together to strengthen social bonds, encourage civic engagement, and promote the wellbeing and overall sustainability of neighborhoods?

The evolution of the office and corporate workplace solutions have predominantly been an exclusive process. This thesis will take an outside-in approach to include the community directly into the professional corporate spaces. Combining these “markets” will create new definitions of territory and foster a place for increased collaboration under one roof.

Previously incarcerated youth suffer from a lack of re-entry services available to them. My thesis proposes a space in which a variety of services are offered to youth who have recently been released from the justice system. These services will focus on rehabilitation, transitioning back into normal life and reducing the chance of re-offending, while fostering a sense of community.

This thesis explores the idea of place identity and its role in communities that have a focus on place-experience such as Disney or professional sports venues. Aspects to explore include the formation of community through social bonding and shared experiences, how narrative and storytelling help shape a community, and how these communities provide a healthy sense of escapism from everyday life through immersive experiences.

Urbanization requires adaptation to population density and embrace of associated housing typologies, including vertical living that is cost-efficient, sustainable, resilient, and inclusive.

Immigration to the United States causes challenges and hardships that are associated with a cultural transition. I plan to address how the engagement and interaction of public space can facilitate openness and inclusivity.

It all begins with an idea.