Historic places are visual narratives with natural scenic appeal. Art plays an integral role in highlighting such places that define cultural and social values. This applies to installation art that emerged from integrating the notions of space-making and storytelling to spark curiosity, intrigue, and public engagement. My thesis project focuses on methods of developing an immersive experience where inhabitants are compelled to lose their sense of self and become utterly involved with a constructed cosmology of visual stories. The site selected for the project is the historic city of Al-'Ula in Saudi Arabia known for its complex tapestry of archaeological formation, and offers a great potential of hosting an inhabitable art installation. By allowing a subtle invasion of the place’s history through a modern lens, I believe that a strong sense of place can emerge and a form of imagination will meet reality.